Editor’s Note: This article is courtesy of first-time contributor, Brooklyn-based artist Eleanna Anagnos. The video companion is a collaboration between Anagnos and Zahar Vaks, Brooklyn-based artist and curator of this show. They are both active members of Ortega y Gasset Projects. Enjoy!
(L-R) Paul Demuro, Nicholas Sullivan
Thinking and Touching Time is an exhibition curated by Zahar Vaks for Ortega y Gasset Projects. It is the inaugural exhibition in Ortega y Gasset’s new exhibition space at the Old American Can Factory in Gowanus, Brooklyn. The exhibition opened on March 13, 2015 and will run until the closing party on April 12 (this Sunday!). The accompanying video (below) serves as a teaser for the exhibition and gives us an idea of how Vaks would like us to explore the exhibition – by sitting with the work and letting it take you somewhere new.
This exhibition is about looking. Really looking at something, studying it, taking it in, and consuming it requires time. Today, no one’s got enough of it. It’s radical to spend time making non-functional, non-narrative work like those included in this show. It’s even more radical to ask someone else to spend the time looking. The work in this exhibition is the antithesis of fast art, easy art or entertainment. It’s contemplative, complex and can’t be digested, felt, consumed or appreciated in two seconds or even thirty, which is the average amount of time someone looks at an artwork – depending on your source.
(L-R) Dona Nelson, Austin Lee
We, as a species, can’t seem to communicate with each other fast enough. The world today emphasizes speed, even in visual languages. How fast can the product, idea, or art be consumed and turned into sales and revenue? The Slow Movement (which started in Rome in 1986 in response to a McDonalds opening by the Spanish Steps) represents a cry for an intentional cultural shift towards slowing down life in order to do it well. The emphasis here is on quality, not quantity. It is a call to savor the experience of pleasure and joy.
Like the Slow Movement, the works in this exhibition are about being present and slowing perception. The show celebrates the contemplative creative process, outside of mainstream consumerism. The crux of the works, and the dialogue between them, revolves around the slow burn. It’s meditative, philosophical, and romantic even. It is deep and it takes your time. It’s demanding, to put it simply. The more time you spend with the work, the more it gives to you. Thus, the exhibition highlights how one creates and consumes a work through the passage of time.
Zahar Vaks’ curation of the show has the same intensity and instinctive rigor with which he makes his own art. To some extent, each of the artists represented in this exhibition offer a kind of making the way Vaks does. Through the use of time as a transformative element, by layering, breaking down, and then building-up again; through the immediacy of touch and raw material, each artist offers layers of meaning. It is up to the viewer to peel back those layers one at a time. (more…)